@article{Verma_2022, title={The Polyphonic World in Toni Morrison’s Fiction: A Study of The Bluest Eye}, volume={2}, url={http://dx.doi.org/10.22161/ijllc.2.1.6}, DOI={10.22161/ijllc.2.1.6}, abstractNote={<jats:p>Toni Morrison employs polyphony as a powerful narrative tool to explore collective memory and the enduring impact of history, particularly in the context of slavery, discrimination, and resilience. Through novels like Beloved, Jazz, Song of Solomon, and The Bluest Eye, Morrison constructs a multi-voiced tapestry that interweaves diverse perspectives, capturing the complexities of shared histories and social injustices. By elevating marginalized voices often silenced in mainstream narratives, she compels readers to confront uncomfortable realities about the intersections of personal and collective experiences. This paper examines use of polyphony by Morrison’s in The Bluest Eye for giving space to marginalized voices. The depth of Morrison’s intertextual and polyphonic craftsmanship, recognizing the novel’s the profound and lasting impact on African American literature, will also be the focus of this paper.

</jats:p>}, number={1}, journal={International Journal of Language, Literature and Culture}, publisher={AI Publications}, author={Verma, Rashmi}, year={2022}, pages={20–25} }